23,860 Royalty-Free Audio Tracks for "Audio Files Of Classical Music By Arthur Nikisch"

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06:22
Gaetano Donizetti's overture to the opera Don Pasquale, played by the United States Marine Band for the album Overtures, Volume Two.
Author: Composition: Gaetano Donizetti Performance: United States Marine Band
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11:55
Franz Liszt's Hungarian Rhapsody No. 6 in D-flat major (arranged for wind band) performed by "The President's Own" United States Marine Band. Performed by the Marine Band on Jan. 5, 2014, at George Mason University's Center for the Arts Concert Hall. Col Michael J. Colburn, conducting.
Author: Untitled
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11:28
Antonín Dvořák - Concerto for Violoncello and Orchestra in B minor, op. 104 - 2. Adagio ma non troppo (Pierre Fournier, George Szell, Berliner Philharmoniker, 1962)
Author: Pierre Fournier, George Szell, Berliner Philharmoniker
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12:27
Antonín Dvořák - Concerto for Violoncello and Orchestra in B minor, op. 104 - 3. Finale (Pierre Fournier, George Szell, Berliner Philharmoniker, 1962)
Author: Pierre Fournier, George Szell, Berliner Philharmoniker
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02:27
Ted Snyder's "Ramshackle Rag" played by Arthur Pryor's Band, in an arrangement by William Schulz. This is Victor Record 17021, Matrix B-11233, and was recorded 15 November 1911 (Full details)
Author: Ted Snyder (composer, 1881-1965) William Schulz (arranger, unknown) Arthur Pryor's Band (performer)
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03:14
Arthur Fields performs I far Down An' Go Boom with his Assassinators, 1929 probably for Edison Records. Arthur Fields singt I far Down An' Go Boom mit seinen Assassinators, 1929 wahrscheinlich für Edison Records.
Author: Unknown authorUnknown author
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08:16
Scheherazade, Symphonic Suite, Op. 35. The San Francisco Symphony Orchestra conducted by Pierre Monteux. Violin solo by Naoum Blinder. Recorded March 3 & 4, 1942 in the War Memorial Opera House in San Francisco. Victor DM-920. Transferred and restored from the original 78 set.
Author: Untitled
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11:41
Scheherazade, Symphonic Suite, Op. 35. Violin solo by Naoum Blinder. Recorded March 3 & 4, 1942 in the War Memorial Opera House in San Francisco. Victor DM-920. Transferred and restored from the original 78 set.
Author: Untitled
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02:07
An Edison "Perfected" Phonograph cylinder recording of The Lost Chord (composed 1877) by Arthur Sullivan (1842-1900), played on piano and cornet. One of the earliest surviving recordings of music; was played at the press conference that introduced the phonograph to London on August 14 1888. Cuts off slightly before the ending of the song. The recorded version is somewhat abridged (a middle section has been cut, possibly due to time constraints). Overall a well-preserved example of wax cylinder recording technology. Length: 2:07
Author: Recorded by George Gouraud, performers unknown.
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00:07
Use of the pentatonic scale in Debussy's Voiles (1910), Prelude. 2, mm.43-45.
Author: Claude DebussyMIDI file created by Hyacinth (talk) 14:44, 15 December 2011 (UTC) using Sibelius 5.
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12:35
Piotr Ilyich Tchaikovsky's Overture Solennelle, “1812,” Opus 49 performed by "The President's Own" United States Marine Band on May 26, 2019, at the Wolf Trap National Park for the Performing Arts in Vienna, Va. This concert was part of Wolf Trap's "Summer Blast-Off!" Col. Jason K. Fettig conducting.
Author: Untitled
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00:11
Piano sonata #32. Main theme (beginning) perfomed by Daniel Veesey croped by User:A1 Українська: Людвіг ван Бетховен. Фортепіанна соната №32. Головна партія (початок) Виконує Daniel Veesey
Author: Untitled
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15:13
Le ballet de la reine (or "La peregrina") from Giuseppe Verdi's 1867 opera Don Carlos on the Grand Scenes (2000), recorded June 5–9, 2000 at Center for the Arts, George Mason University, Fairfax, Virginia.
Author: Giuseppe Verdi, transcribed by Donald Patterson, performed by the w:United States Marine Corps Band, Timothy Foley Director
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04:54
Richard Wagner: Parsifal Act 2 Flower Maiden scene. conductor: Karl Muck, Bayreuth Festival Orchestra
Author: Karl Muck
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15:57
Richard Wagner: Parsifal - Prelude Act 1. conductor Karl Muck, Bayreuth Festival Orchestra.
Author: Karl Muck, Bayreuth Festival Orchestra
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04:28
Se m'ami ancor; Ai nostri monti, duo de l'opera Il trovatore, composé par Giuseppe Verdi, interprété par Enrico Caruso (1873–1921) et Ernestine Schumann-Heink (1861–1936) en 1913
Author: Verdi – Caruso – Schumann-Heink
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04:45
Enrico Caruso and Titta Ruffo's only surving recording together: "Sì, pel ciel marmoreo giuro!" from Giuseppe Verdi's 1887 opera Otello. Recorded 8 January 1914 in New York City for Victor Records (as Matrix C-14272), this was released under a variety of labels (full details)
Author: Otello: Enrico Caruso (1873–1921) Iago: Titta Ruffo (1877–1953) Composer: Giuseppe Verdi (1813–1901)
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00:11
Piano Sonata No. 32 in C minor, Op. 111. First bars perfomed by Daniel Veesey cropped by User:A1 Українська: Людвіг ван Бетховен. Фортепіанна соната №32. Перші такти Виконує Daniel Veesey Вирізка User:A1
Author: Untitled
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08:34
Johann Sebastian Bach (disputed) > Toccata et Fugue en ré mineur BWV565 - œuvre pour orgue. An audio meta_data recording Image:Metadata_BWV565_Attribution.ogg exists for this recording
Author: Johann Sebastian Bach (disputed), performed by Ashtar Moïra
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00:16
En ballad om franske kungens spelmän (Turesson)
Author: Rex Sueciæ
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00:16
En ballad om franske kungens spelmän (Hamberg)
Author: Rex Sueciæ
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06:11
Kindertotenlieder, V. In diesem Wetter, in diesem Braus.
Author: Gustav Mahler, enregistré par Marian Anderson, contralto, avec le San Francisco Symphony Orchestra, dirigé par Pierre Monteux.
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04:40
Kindertotenlieder, I. Nun will die Sonn' so hell aufgehn.
Author: Gustav Mahler, enregistré par Marian Anderson, contralto, avec le San Francisco Symphony Orchestra, dirigé par Pierre Monteux.
00:00
04:13
Kindertotenlieder, III. Wenn dein Mütterlein.
Author: Gustav Mahler, enregistré par Marian Anderson, contralto, avec le San Francisco Symphony Orchestra, dirigé par Pierre Monteux.
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03:03
Kindertotenlieder, IV. Oft denk' ich, sie sind nur ausgegangen.
Author: Gustav Mahler, enregistré par Marian Anderson, contralto, avec le San Francisco Symphony Orchestra, dirigé par Pierre Monteux.
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03:58
Kindertotenlieder, II. Nun seh' ich wohl, warum so dunkle Flammen.
Author: Gustav Mahler, enregistré par Marian Anderson, contralto, avec le San Francisco Symphony Orchestra, dirigé par Pierre Monteux. English translation: Gustav Mahler, recorded by Marian Anderson, contralto , with the San Francisco Symphony Orchestra, conducted by Pierre Monteux.
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10:47
Wo ist doch (a cantata) by Dieterich Buxtehude, performed live by self. Text/lyrics Soprano Wo ist doch mein Freund geblieben? Will Er mich denn nicht mehr lieben? Er hat sich in dieser Nacht, da ich aus dem Schlaf erwachte und an seine Huld gedachte, aus dem Bette weggemacht. Ach ich habe den verloren, den ich einzig mir erkoren! Ach, ich habe nicht betrübt! Er ist der, der mir gefallen, darum soll mein Stimm erschallen: Soprano/Bass Schönste(r), wo befindst du dich? Soprano Hör ich doch des Freundes Worte! Ruft Er nicht an diesem Orte? Soprano/Bass Schönste(r), wo befindst du dich? Bass Du hast mir das Herz genommen, Vielgeliebte! Soprano Ich will kommen, eile fort, erfreue mich! Komm, mein Freund, in meinen Garten! Bass Willst du mich daselbst erwarten? Sieh, ich steh schon vor der Tür, sieh, ich komme, meine Taube, denn dein wohlgegründter Glaube zeucht und neigt mich hin zu dir. Soprano Wenn du unter deinem Schatten mir die Ruhe willst gestatten, dann so ist mir ewig wohl. Soprano/Bass Ich lieb dich, weil du mich liebest und dich mir zu eigen giebest. Nichts ist, das uns scheiden soll. Soprano Du bist, Schönster, meine Sonne. Bass Dir ist schon die süsse Wonne und die Ruh von mir bereit. Soprano/Bass Komm mein Schatz, lass mich dich küssen, denn so kannst du mir / kann ich dir versüssen, alles Leidens Bitterkeit. Soprano Endlich hab ich den gefunden, den ich lieb, meine Freude. Bass So ist verschwunden dir die schrekkensvolle Zeit, weil ich dein bin, meine Freude. Soprano/Bass Komm nach dem gehabten Leide hin, wo dir das Herz/ die Freud bereit. So lieben die Seele und Jesus zusammen. Sie lieben beständig, man scheidet sie nicht. Sie brennen und stehen in lieblichen Flammen, die Seele vergnügt sich in seligem Licht. Wir sehnen uns alle mit Herzens Verlangen, wann werden wir einsten dich, Jesu, umfangen?
Author: self
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03:25
Composer: César Cui (1835-1918) Title: Gloria Patri and Wedding Recessional from the opera "The Saracen" Printed source: Piano-vocal score published in Moscow by P. Jurgenson, 1899. This is a rudimentary MIDI arrangement and Ogg recording therefrom made by Mllefifi, Nov. 29, 2005 The music itself is in the public domain. Mllefifi is making this audio file available to promote the composer and for whatever other use can be made of it, besides linking it to the article "The Saracen (opera)".
Author: No machine-readable author provided. Mllefifi assumed (based on copyright claims).
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21:15
Richard Strauss' Burleske (1886), performed by Neal O'Doan with the Seattle Philharmonic Orchestra in 1991. Conducted by Nico Snel.[1]
Author: Richard Strauss (composer, June 1864 – 8 September 1949) Neal O'Doan (piano solo) Nico Snel (conductor) The Seattle Philharmonic Orchestra.
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04:22
Una furtiva lagrima from Gaetano Donizetti's 1832 opera L'elisir d'amore, sung by Enrico Caruso on 26 November 1911 for the Victor Talking Machine Company in Camden, New Jersey.[1]
Author: Enrico Caruso, Gaetano Donizetti
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10:30
Arrangement from Richard Wagner's 1876 opera Götterdämmerung: Siegfried's Funeral March and Finale, Music of Richard Wagner (track 5)
Author: Richard Wagner, performed by the United States Marine Corps Band, recorded December 8–11, 1981 at w:Lisner Auditorium, w:George Washington University, w:Washington, DC, funeral march transcribed by Howard Bowlin and finale transcribed by John Bourgeois, who was the Band Director.
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09:04
The fifth movement from Hector Berlioz's Symphonie fantastique, known as "Songe d'une nuit de sabbat" or "A Dream of a Witches' Sabbath", transcribed by Lt. Col. Jack T. Cline of the United States Marine Band, and performed by the Marine Band conducted by Lt. Col. Cline at Van Wezel Hall, Sarasota, Florida in 1977
Author: Composition: Hector Berlioz Transcription: Lieutenant Colonel Jack T. Kline Performance: U.S. Marine Band
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00:08
Derivated work: Theme A from "Almande de don Frederice" (w:Pierre Phalèse), as heared and writted down by User:Kychot Čeština: Téma A z "Almande de don Frederice" (w:Pierre Phalèse), jak je slyšel a zapsal User:Kychot
Author: User:Kychot
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00:08
Derivated work: Theme D from "Almande de don Frederice" (w:Pierre Phalèse), as heared and writted down by User:Kychot Čeština: Téma C z "Almande de don Frederice" (w:Pierre Phalèse), jak je slyšel a zapsal User:Kychot
Author: User:Kychot
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00:08
Derivated work: Theme C from "Almande de don Frederice" (w:Pierre Phalèse), as heared and writted down by User:Kychot Čeština: Téma C z "Almande de don Frederice" (w:Pierre Phalèse), jak je slyšel a zapsal User:Kychot
Author: User:Kychot
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00:08
Derivated work: Theme B from "Almande de don Frederice" (w:Pierre Phalèse), as heared and writted down by User:Kychot Čeština: Téma B z "Almande de don Frederice" (w:Pierre Phalèse), jak je slyšel a zapsal User:Kychot
Author: User:Kychot
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10:24
Violinkonzert in D, Op. 61 — 3rd movement: Rondo, allegro. Violinkonzert in D, Op. 61 — 3. Satz: Rondo, allegro.
Author: Untitled
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